
Creative Arts in the Classroom: Visual Art, Music and Movement for Learning
A song that marks the seasons, a seed that grows in a dance, a collage of the street where the children live: young children learn through the arts as naturally as through words. Five days of painting, rhythm, movement and making, with no art or music training needed, and a short arts-based unit for your own class.
Why this is Erasmus+ eligible
Structured, multi-day programme (5 days) with a pre-defined schedule and learning outcomes — not a passive lecture format.
Built around interaction: participants engage directly with the trainer and with peers from other countries throughout the course.
Transnational by design — open to participants travelling from outside the host country, a core requirement of Erasmus+ mobility funding.
This mobility supports the Key Action 1 school education objective of "supporting professional development of teachers, school leaders and other school staff" (Erasmus+ Programme Guide 2026, Key Action 1 – Mobility for pupils and staff in school education, Objectives of the action, p. 103). In the school-education priorities set out for cooperation partnerships (KA2), the Guide names "Developing basic skills and key competences", including "developing creativity", for all learners "including children in early childhood education and care" (Partnerships for Cooperation – sector-specific priorities in the field of school education, p. 230), and a separate priority, "Developing high quality early childhood education and care systems", which supports the "continuing professional development of staff involved in organising, leading and providing early childhood education and care" (p. 231). The course works on one of the eight key competences for lifelong learning in the 2018 Council Recommendation, cultural awareness and expression: participants learn to use visual art, music and movement as ways into their own curriculum, and to observe children's creativity with five creative habits. Each participant builds a short arts-based unit on a topic they teach, with versions for younger and older children. It is not an art therapy course.
Overview
Children paint, sing, move and build long before they can write about what they know. This week shows you how to use that in your teaching: one topic from your own curriculum, explored through a different art each day.
- Monday — visual art: open-ended drawing and painting, the adult’s role, and choosing your topic.
- Tuesday — music: rhythm, chants, body percussion and simple instruments, with no musical training.
- Wednesday — movement: creative dance and movement tasks, and how to run a class that is moving.
- Thursday — materials and senses: recycled and natural materials, and making something together.
- Friday — your unit: the week’s activities put together for your class, tried with colleagues and revised.
Every day you also practise watching for five creative habits in children: being imaginative, inquisitive, persistent, collaborative and disciplined.
Description
Most teachers already use songs, drawing and movement, often as a break from the “real” lesson. Here they become a way into the lesson itself. A topic such as the seasons, water, a traditional story or numbers to ten can be drawn, turned into a chant, danced and built, and each time children meet it in a different way.
The week is built around one topic that you choose on Monday from your own curriculum. Each day adds one art form to it. On Monday it is visual art, with the focus on the child’s process rather than thirty identical crafts. On Tuesday it is music in the tradition of the Orff Schulwerk approach: speech, body percussion and simple instruments, moving from imitation to exploration to improvisation. On Wednesday it is movement, planned with four simple ideas taken from Rudolf Laban’s work: what the body does, where it moves, how it moves and with whom. On Thursday it is materials: recycled, natural and open-ended materials that children can combine in many ways. Every activity has two versions, one for children aged about three to six and one for children aged about six to twelve.
To see what children are learning, the week uses the five creative habits described by Bill Lucas, Guy Claxton and Ellen Spencer in a paper for the OECD in 2013, developed and trialled in schools in England: imaginative, inquisitive, persistent, collaborative and disciplined. Each day ends with a short habit check: which habits did this activity call for, and what would a four-year-old or a nine-year-old do that shows it? By Friday these notes have become an observation sheet for your own class.
You do not need to be able to draw, sing or play an instrument. You take part in every activity yourself first, the way the children would, and then step back to plan it. What it is not: this is not an art therapy course (our course Art as Therapy: Emotional and Social Development in Schools covers that), and it is not a course for training music specialists or for preparing performances. The activities fit a normal classroom and use cheap or free materials.
Methodology
Participants take part in every activity as the children would, then step back to plan their own version. Theory is kept to short inputs.
Each participant chooses one topic from their own curriculum and adds a visual art, music, movement and making activity to it, one a day.
Each day closes with a habit check — imaginative, inquisitive, persistent, collaborative, disciplined — that builds into an observation sheet.
Every activity is planned in a version for younger children (about 3–6) and one for older children (about 6–12).
What you'll take home
Plan open-ended visual art activities that put the child's process before a finished product, and explain the adult's role in them.
Lead rhythm, chant and body-percussion activities that move from imitation to exploration to improvisation, without musical training.
Design creative movement tasks using body, space, effort and relationships, and organise a moving class safely.
Use recycled, natural and open-ended materials for sensory exploration and group making.
Observe children's creativity with five creative habits — imaginative, inquisitive, persistent, collaborative and disciplined — and record what you see.
Build a short arts-based unit on a topic from your own curriculum, with versions for younger and older children.
Daily programme
- Icebreaker: "My name in line and colour" — each participant draws their name with one line, one shape and one colour that say something about them, and introduces themselves with the drawing
- Presentations of participants' schools and the age groups they teach
- Why the arts in learning: cultural awareness and expression, one of the eight key competences for lifelong learning in the 2018 Council Recommendation, and the five creative habits — imaginative, inquisitive, persistent, collaborative, disciplined (Lucas, Claxton and Spencer, OECD, 2013)
- Process before product: an open-ended art activity and a copy-the-model craft side by side — what each one asks of the child; the adult's role: offer materials, watch, ask, and leave the work to the child
- Hands-on: drawing and painting from observation and from imagination, with open materials
- Choosing your topic: one topic from your own curriculum to carry through the week, and a first visual art activity on it in two versions, for about 3–6 and about 6–12
- Habit check: which habits did today's activities call for? First lines of your observation sheet
- Output: your topic and your visual art activity
- Warm-up: "Pass the rhythm" — each participant claps the rhythm of their name, the circle echoes it, and each new person adds one small change
- Music without musical training: speech, body percussion and simple instruments in the tradition of the Orff Schulwerk approach, and its sequence of imitation, exploration and improvisation
- Speech rhythms and chants: turning words from your topic into a chant, then into body percussion
- Singing games for younger children; layering two or three repeated rhythms for older children
- Instruments from everyday objects, and listening games: a sound walk, guessing sounds, playing loud and quiet, fast and slow
- Habit check: what does an inquisitive or a persistent child do in a music activity?
- Output: a music activity on your topic, in two versions
- Warm-up: "Walk the chant" — the group walks, stamps and tiptoes to one of Tuesday's chants, and each time the chant stops, everyone freezes in a new shape
- Four simple ideas for planning movement, taken from Rudolf Laban's work: the body (what moves), space (where — levels, directions, pathways), effort (how — fast or slow, strong or light) and relationships (with whom or what)
- Creative movement tasks: moving like something from nature, mirroring in pairs, changing level and speed on a signal
- From story to movement: a process or a story from your topic — a seed growing, water moving, a character's journey — turned into a short movement sequence, with Tuesday's rhythms as accompaniment
- Running a class that is moving: space, start and stop signals, safety, and roles for a child who does not want to join, such as playing the instrument or leading the signal
- Habit check: where did you see collaboration and discipline today?
- Output: a movement activity on your topic, in two versions
- Sensory exploration: texture, colour, sound and weight with natural and everyday materials — free exploration for younger children; sorting, testing and choosing materials for a purpose for older children
- Loose parts: Simon Nicholson's idea (1971) that the more open-ended things there are to combine in a space, the more children invent; what to collect, store and offer, with little or no cost
- Making together: in small groups, a collage, construction or sculpture on one participant's topic, from recycled and natural materials
- Putting art forms together: a group adds sound and movement to what it made
- Showing the process, not only the product: photos of hands and work, and the children's own words, for families and colleagues — without children's faces or names unless your school's consent rules allow it
- Planning your making activity: a making activity on your own topic, in two versions, for about 3–6 and about 6–12
- Habit check: the five habits in a group making task
- Output: a making activity on your topic, in two versions, and a materials list for your classroom
- Opening session — building your unit: your four activities put in order as a short unit on your topic, with the habit each one builds and the version for each age group. School leaders and art or music teachers can plan it at school level instead: an arts corner, collecting materials, or a lesson shared with a class teacher
- Trying it out: in small groups, each participant leads one activity for ten minutes while colleagues play a class of four-year-olds or nine-year-olds, then the group names the habits it saw
- Revising your unit and finishing your observation sheet
- Your first week back: the activity you will start with, and what you need for it (materials, space, a colleague)
- Selected work in plenary: two or three participants who want to show an activity do so, by choice
- Course evaluation and feedback
- Certificate ceremony
Please note: sessions run from 09:30 to 14:30, Monday to Friday, with a break for lunch. Timings can shift a little to suit the venue and the group. If you'd like a specific topic covered, let us know when you apply — the confirmed day-by-day schedule is sent to registered participants ahead of the course.
Certificate: we issue the Certificate of Attendance to everyone who's present for at least 80% of the course — tracked with the daily sign-in sheet (see Certificate & assessment).
Equipment: a few of our courses ask participants to bring a laptop — check the day-by-day programme above, or ask us if you're not sure.
Need a formal invoice or proforma for your school's records? Ask us — we issue official invoices with the participant's name and course details.
Course page last updated: 30 October 2026
Materials & tools
A one-page summary of the five creative habits, and an observation sheet built on them during the week
An activity planning template with versions for younger and older children
A list of low-cost, recycled and natural materials for an arts corner
Your arts-based unit and observation sheet — built by you during the week
Certificate & assessment
This is a Certificate of Attendance, not an exam-based qualification — recognition comes from completing the structured programme, not from passing a test. The real, lasting value is in the competencies listed above under What you'll take home.
Type your name above — clearly marked "SAMPLE" in the PDF, not an official document.
The real certificate is signed by your trainer and EMA's authorised signatory. Your own signature isn't on this document — it's captured separately, on the Europass Mobility document.
Need to verify a real certificate? Check it online using the serial number and participant's full name, or contact us directly — [email protected], OID E10304561.
Tracked using a sign-in sheet with one signature per participant per day (paper or digital). This record is used to issue your Certificate of Attendance and Europass Mobility document. View sign-in sheet (PDF)
Every participant leaves with a completed Dissemination & School Impact Plan — a step-by-step template for applying the course back at your school (see below).
An end-of-course evaluation form is sent to every participant after the course ends — a chance to reflect on what you've learned and how you'll apply it, and it helps us keep improving the course for future participants.
Keep your travel tickets, boarding passes and (if you used green travel) any related receipts — your school or National Agency may ask for these for their own Erasmus+ reporting.
How to prepare
There is nothing to study before the course, and no art, music or dance background is needed.
It helps to think of one topic from your own curriculum that you would like to teach in a new way.
Several sessions involve moving and some involve paint, so comfortable clothes you do not mind getting a little messy are a good idea.
Art materials and simple percussion instruments are provided. If you like, you can bring a few clean recycled items from home, such as bottle tops, small boxes or fabric scraps.
Practical information
Registration & documents
Not sure how registering works or what paperwork is involved? See our full Registration & Documents guide — from applying to your Certificate of Attendance, in one place.
Invitation letter
Need a formal invitation letter for your school or embassy? Request one — we send it within 2 business days. See a sample (PDF).
Learning Agreement
Prepared by our staff and sent to you and your school once your registration form is submitted — see what it looks like. See a sample (PDF).
Billing & invoicing
We issue official invoices/proformas with the participant's name and course details — ask us. Payment is due in full by bank transfer before the course start date. See a sample (PDF).
Airport transfer
Guidance on getting from the nearest airport to the venue is included in your welcome information.
Accommodation
We can recommend partner hotels close to the venue in the host city — ask us when you apply.
School impact
After completing this course, the participating staff member can transfer outcomes directly to their school: a short briefing for colleagues sharing the key takeaways, applying relevant tools or strategies from the programme in their own role, and inclusion of the course materials in the school's professional development resources — turning one person's mobility into a wider institutional gain that supports the school's Erasmus+ objectives. Use the Dissemination & School Impact Plan below to fill in your own — it saves as you go and can generate a one-page summary for your coordinator too.
0/5 sections started
Write your answers in English — it keeps every teacher's plan consistent if your coordinator compares several.
Filling these in ties this plan to a specific mobility — useful if your coordinator collects plans from several courses/teachers.
Photos of the session or sign-in sheet are embedded straight into both PDFs — they aren't autosaved, so re-attach them if you reload this page. The link above IS autosaved.
If you're presenting, base it on the course materials — a summary slide for colleagues rarely needs more than 15–20 minutes.
Name the real class, year group or school process you'll apply this to — not the course topic itself.
Give the admin a one-page summary: what the course delivered, the cost, how it feeds into the school plan, and the expected outcome.
Your check-in date is before the planned application date in Step 2 — check-ins usually happen a few months after you've actually applied the course, so there's something real to report.
Saved automatically in this browser as you type — nothing is sent to our server. Nothing here is invented for you; leave a field blank if it doesn't apply yet.
Prefer a blank, course-independent version of this template? Get it here →
After the course
Participants will receive their Certificate of Attendance and the co-signed Europass Mobility document.
Participants will complete a general course evaluation and event survey.
Participants will receive course materials, videos, photos, and PDF documents in both digital and print formats.
Follow-up support: self-evaluation materials are provided. Depending on the group, an email group may be set up so that participants can keep exchanging ideas — including photos of what your classes made with their units, shared without children's faces or names.
Frequently asked
This course is an eligible training activity under Erasmus+ Key Action 1 (School Education Mobility) — the course fee, travel and subsistence fall within the eligible cost categories. Whether it is covered depends on your own project's approved grant agreement and your National Agency's rules; we provide all the invoices, attendance records and certificates your National Agency requires for reporting.
B1 is enough — you do not need to be fluent. Trainers speak slowly and plainly, every session is built around doing something rather than sitting and listening, and groups are mixed by nationality so people help each other out. A rough test: if you could follow a staff meeting held in English and ask a question in it, you will be fine here.
Absolutely — group bookings of 3+ from one school or organisation receive priority placement, and we can schedule a dedicated session for groups of 12 or more.
Our courses run on request at our centres in Antalya, İstanbul, İzmir, Mersin, Budapest, Bremen and Rome. Tell us your preferred city and dates and we will arrange a session.
Tuition, all course materials, your Certificate of Attendance, and the co-signed Europass Mobility document. Flights, accommodation and travel insurance are booked separately — we send a vetted hotel list.
You can move to any later session free of charge. Cancellations made 30+ days before the start date receive a full refund; a reduced refund applies closer to the date — see our full Cancellation & Refund Policy for the exact schedule.
This mobility supports the Key Action 1 school education objective of "supporting professional development of teachers, school leaders and other school staff" (Erasmus+ Programme Guide 2026, Key Action 1 – Mobility for pupils and staff in school education, Objectives of the action, p. 103). In the school-education priorities set out for cooperation partnerships (KA2), the Guide names "Developing basic skills and key competences", including "developing creativity", for all learners "including children in early childhood education and care" (Partnerships for Cooperation – sector-specific priorities in the field of school education, p. 230), and a separate priority, "Developing high quality early childhood education and care systems", which supports the "continuing professional development of staff involved in organising, leading and providing early childhood education and care" (p. 231). The course works on one of the eight key competences for lifelong learning in the 2018 Council Recommendation, cultural awareness and expression: participants learn to use visual art, music and movement as ways into their own curriculum, and to observe children's creativity with five creative habits. Each participant builds a short arts-based unit on a topic they teach, with versions for younger and older children. It is not an art therapy course. Frame it in your own project's terms — your National Agency's current call will confirm exactly how it applies.
No. The course is built so that classroom teachers need no art or music training. You take part in every activity yourself first, step by step, and every activity uses simple materials, your voice and your body. Art and music teachers use the week to plan activities they can run together with class teachers.
Both. Every activity is planned in two versions, one for children aged about three to six and one for children aged about six to twelve, and you choose your topic from your own curriculum. Preschool and kindergarten staff can take part in Erasmus+ school education mobility in the same way as school teachers.
Art as Therapy: Emotional and Social Development in Schools focuses on emotional and social development through art. From STEM to STEAM adds art to science and mathematics lessons. Our drama course teaches the Mantle of the Expert approach. Creative Arts in the Classroom uses visual art, music, movement and making as ways into any topic, for younger and older children.
Choose your session
+ 51 more planned dates
No payment now — we confirm your place first.
Plans change — we're here to help.
Don't see a date that works? Request a custom date
Open the page of a single date
22–26 Feb 2027, Antalya 5–9 Apr 2027, Rome 12–16 Apr 2027, Antalya 12–16 Apr 2027, İzmir 12–16 Apr 2027, Mersin 12–16 Apr 2027, Bremen 19–23 Apr 2027, Budapest 26–30 Apr 2027, İstanbul 3–7 May 2027, Mersin 10–14 May 2027, Antalya 10–14 May 2027, İstanbul 10–14 May 2027, İzmir 7–11 Jun 2027, Antalya 7–11 Jun 2027, İstanbul 7–11 Jun 2027, Bremen 7–11 Jun 2027, Rome 14–18 Jun 2027, İzmir 14–18 Jun 2027, Mersin 14–18 Jun 2027, Budapest 5–9 Jul 2027, Antalya 5–9 Jul 2027, İstanbul 5–9 Jul 2027, İzmir 5–9 Jul 2027, Mersin 9–13 Aug 2027, İstanbul 9–13 Aug 2027, İzmir 9–13 Aug 2027, Mersin 9–13 Aug 2027, Budapest 9–13 Aug 2027, Bremen 9–13 Aug 2027, Rome 16–20 Aug 2027, Antalya 6–10 Sep 2027, Mersin 13–17 Sep 2027, Antalya 13–17 Sep 2027, İstanbul 20–24 Sep 2027, İzmir 4–8 Oct 2027, Budapest 11–15 Oct 2027, Antalya 11–15 Oct 2027, İstanbul 11–15 Oct 2027, Mersin 11–15 Oct 2027, Bremen 18–22 Oct 2027, İzmir 18–22 Oct 2027, Rome 8–12 Nov 2027, Mersin 15–19 Nov 2027, İstanbul 15–19 Nov 2027, İzmir 22–26 Nov 2027, Antalya 6–10 Dec 2027, İzmir 13–17 Dec 2027, Antalya 13–17 Dec 2027, İstanbul 13–17 Dec 2027, Mersin 13–17 Dec 2027, Budapest 13–17 Dec 2027, Bremen 13–17 Dec 2027, Rome
What's included
Not included
Aggregated across all EMA courses, not specific to this session.
+ educators from 20 more countries across Europe and beyond
Taking two courses? Book any two EMA courses on the same trip and save €150 off your combined price. Just tell us both course names when you apply — no separate booking needed.
Questions about funding or group bookings?
Write to us

